Signed and touring with Australia’s most hyped club brand and label Onelove, Andy Murphy brings to the party what most would call mayhem. With a diverse carte of tunes up his sleeve, h

Since their first string of original releases, and mixing Ministry of Sound’s original In The Club Vol.1 compilation back in 2009, DENZAL PARK’s have recently remixed the likes of Dirty South, Avicii, Full Intention, Kylie Minogue, Wynter Gordon, Kelis, D.O.N.S. and Tonite Only, and their original floor-stompers ‘Filterfreak’, Ascension’ and ‘I’m a Drum Machine’ have torn their way through dance and club charts across the world. The duo were also responsible for producing the Radio Edit of Wynter Gordon’s Platinum single ‘Til Death’, and Zoe Badwi’s Double-Platinum club smash ‘Freefallin’.

Combining their production powers through a mutual affinity for electronic music, Kam Denny and Paul Zala carved their initials deep into the dance floors and dj-booths of the country’s biggest nightclubs, darkest dance-halls and festival fields, delivering their trademark concoction of euphoric melodies and down-to-business rhythms to thousands of eagerly pointed ears.

The best things come in pairs so they say, and no doubt this is too the case for Silver Sneakerz. One half of the duo, Habebe, prides himself on a wealth of progressive, big room and tech house music experience with a DJ career of eleven years, boasting show bills that come with the finest of quality artists. With a six year standing residency at Family Brisbane and shared bills with luminaries Laidback Luke, Steve Angello, Pete Tong, Axwell, Claude Vonstroke and Roger Sanchez, there is no room for question for this class act. Not only is Habebe’s solo music career incredibly impressive but so too his ownership and direction of Brisbane based artist management agency Late Night Addiction. Knowing exactly the recipe for musical success in Australia has taken this entrepreneur through vital aspects of the industry.

Benny Electric began a serious journey with house music in 2008 where professional DJing and production was the ultimate notch. In the studio was where labels began to take notice and gigs followed in suit. Supporting the likes of Hook N Sling and Goodwill, Benny Electric was no shy stranger to an impressive show and as time passes it only becomes too the more obvious. Taking the decks throughout Brisbane primarily, Ben is a musically intelligent addition to the world of house music.

With two perfectly matched partners that create Silver Sneakerz, Australia has a rich ownership of this talented duo seeing them appear on the stages of some of the country’s sought after festivals like Creamfields, Parklife and Splendour In The Grass. From the console, they create an abundance of seamless music selections, obvious from the sheer flawlessness of their own productions. Throughout Australia acts like Kaskade and The Loops of Fury have witnessed support quality levels like no other.

Over the past 12 months their remixes of James Talk & Ridney’s Forever and Redroche & Olav Basoski feat Amanda Wilson’s Not Over You have proven worldwide club reception and radio support, making their way into numerous influential DJ charts and playlists. Being chased by the countries leading labels, this duo has also seen huge success with Make You Move – out on Ministry of Sound. With official remixes for Juan Kidd, Luke Chable and Dane Rumble, there is no putting a wrong foot with remixes making marks anywhere and everywhere. Taking their remix of fellow Australian artist Andy Murphy’s Reach For The Lazers to #3 on the ARIA club chart and overall Top 100 Beatport Downloads, created hype that labels like Onelove, Ministry of Sound and Subliminal couldn’t turn a blind eye to.

Since those two DMC titles John has been part of the house music revolution in Australia. Closing the huge New Years Day event Summerdays to over 20,000 people and playing between Eric Morillo and Fedde Le Grande at Sensation on New Years Eve in front of 40,000 plus are just two examples. He has played literally too many gigs to mention, many along side the worlds biggest DJ’s and plays regularly in party spots such as Koh Samui in Thailand and the Paradise Club in Mykonos. He has mixed over 15 compilations including mixing the highest selling club CD in Australia “The Annual” for the last 5 years! In fact there are over a million CD’s with a John Course mix sold in Australia alone, which is not bad for a country with a population of just over 22 million!

John is one of the founders of Australia’s Vicious Recordings, the label that bought the world Dirty South, Avicii, Madison Avenue, Sgt Slick, Angger Dimas, The Potbelleez and Vandalism, (just to name a few). He also hosts the countries most influential dance music show Novanation which airs on the Nova network nationally every Saturday night.

Studio wise John was one quarter of the team behind Blackout who’s “Gotta Have Hope” single was a worldwide club hit back in 1998. More recently he has teamed up with production partner mrTimothy, remixing and producing under the name of Electro Funk Lovers.

John’s technical skills are second to none and he brings his love of club music and DJing out in every set. From chunky vocal grooves to banging big room sounds John’s sets are renowned for getting a crowd pumping and a vibe that always rocks the dance floor… it is easy to see why he is one of the most in demand and hardest working DJs in Australia!

After moving on from the moniker at the top of their game when the “electro bubble” showed signs of bursting, Tonite Only has been reborn in 2011 with La More and GT joining forces once again to decimate club-goers and cram some extra lightning into their already overstuffed bottle.

As you’d expect from such a high profile reunion, Tonite Only are coming back stronger than ever, re-energised and rebuilt with an arsenal of fresh productions and the same spark that made them so on-point originally. The first phase of the duo’s grand return comes with the turbo-charged electro-house burner We Run The Nite, a tune that struck its creators as instantaneously as it has club-goers on recent test runs around the world with La More insisting that it needs to be heard to be believed.

“The way we describe it doesn’t do it justice…it’s got a lot of hooks in the wrong places and beats are way bigger than they should be but somehow it all makes sense on the dancefloor. Just ask the people losing themselves at the club when we play it; they think it works and that’s what we care about.”

We Run The Nite is just the first step for what the duo are calling version “2.0” of Tonite Only, with La More and GT surging forth with plans to take Tonite Only out of clubs and onto massive festival stages with a eye-pleasing and ear-popping new live show. Speaking about their live future in hushed, reverential tones, the duo have declared that their debut live show has a concept that’s “never been tried before”, with ambitions to place it in front of “masses of people” at a festival like Coachella.

While all that might seem like looking a little deep into the crystal ball, it’s a clear indication that the revitalised Tonite Only mean business. It’s two producers at the top of their game making the no-holds-barred kind of dance tunes that only they can and they’ll be infiltrating your ears in no time.

Tommy’s latest single, “All My Friends”, was his most successful to date, spending a whopping six weeks at the top of the ARIA Club Charts. A collaboration with Tom Piper and featuring Mr Wilson on vocals, “All My Friends” has already claimed its title as one of the biggest Australian dance music releases of 2011.

Prior to “All My Friends”, Mr Wilson also lent his vocals to “Need Me To Stay”, a club banger that earned Tommy an ARIA Awards nomination for Best Dance Release. “Need Me To Stay” debuted at an incredible number 14 on the ARIA Top 50 Singles Chart – the highest charting single by any Australian artist at the time – and peaked at number two on the ARIA Club Chart. With a controversial film clip that Video Hits declared too hot for TV, “Need Me To Stay” caused a frenzy on MySpace and YouTube, as well as outselling Lady Gaga’s equally controversial “Paparazzi” on Three Mobile and being viewed over 120,000 times in under a week on ninemsn’s The Fix.

Tommy’s had tunes on a bevy of top dance music labels across the world, including cr2, Great Stuff, Toolroom and Subliminal, and has collaborated with producers including John Dahlback, Moguai and Angger Dimas. Support for Tommy’s releases has come from international stalwarts including Tiesto, Axwell, Eric Morillo, Laidback Luke, Benni Benassi and Afrojack.

When not busy writing his own hits, Tommy can be found lending his remixing skills to artists from Lady Sovereign and Kaskade to Green Velvet, Armand Van Helden and Gypsy And The Cat, Dimitri Vegas & Like Mike. At one point, Tommy’s remixes even held the number one and number two Aria Club Chart slots simultaneously, knocking his remix of Green Velvet’s “Shake N Pop” off the top rung and replacing it with his killer rendition of Armand Van Helden’s “I Want Your Soul”.

Tommy has also been kept busy mixing a handful of Ministry of Sound’s iconic compilation albums, including the 2011 Annual, which achieved the number one position on both the iTunes Album Chart and ARIA Compilation Chart, as well as Sessions Six and Seven and Electro House Sessions One and Two.

Outside of the studio, Tommy has built a reputation as a highly skilled and much loved DJ. Curls flying, Tommy plays a crowd‐pleasing collection of his own originals, remixes, edits and bootlegs, and is an unquestionable draw card for club nights and festivals across Australia, New Zealand, Canada and Europe. From club nights at Superdisco, Family, Platinum and Moulin Rouge to festivals such as Good Vibrations, Stereosonic, Future Music Festival and God’s Kitchen, Tommy’s sets are not to be missed.

Since setting forth on his mission to promote better living through freshmaking, the Sydney‐side hotshot has positioned himself at the forefront of the Australian dance scene. Placing at #17 on the coveted Sony ITM50 DJ Poll for 2010, his kinetic sets of label exclusives, re‐edits & “bootyfresh” bootlegs have caused crowd riots all around Australia and we have had reports of disturbances in Asia & Europe this past year. You can find his original productions and remixes at the top of the ARIA charts or they can be heard reverberating through the record bags of Laidback Luke, Kissy Sell Out, Tiësto, David Guetta, Bart B More, Fake Blood, Drop The Lime, Riva Starr, Sidney Samson and other esteemed members of the global DJ elite.

Trying to pin a professional appreciator like Tom Piper to a single genre is like telling Casanova to keep it in his pants. Electro, House, Tech, Dubstep whatever.. his preference is everything and more; an orgy of good vibrations that has seen Piper’s prolific output and supreme decksterity demanded by the biggest brands in the biz – Ministry Of Sound, Mixmash, Sony Music & Dim Mak are just a choice few of the stables Tom has done work for. If peers on worldwide album compilations like the legendary FABRICLIVE series aren’t smashing Tom’s tuneage, he’s going platinum sales with his own mix CDs, applying his midas touch to compilations that shift mega units without breaking a sweat.

Championed on stations from BBC’s Radio 1 to Australia’s Triple J, even their mighty airwaves are no longer enough to contain him; it’s Piper’s time to call the shots. Tom is the newly crowned host of Ministry of Sound Radio Australia on Austereo, serving up a weekly dose of electronic ecstasy and issuing each offering the stamp of quality that only he can provide: 100% Certified Freshness!

Behind the decks, on the air, in the studio – it’s all just part of the package, another day’s play for the princely freshmaker who continues to push the boundaries of dance music on the worldwide stage.

‘Goodwill is the king of the Southern Hemisphere’ DIRTY SOUTH

‘Goodwill is the only act that I request while touring Australia’ KASKADE

‘Goodwill makes my Festivals complete’ BRETT ROBINSON FUTURE ENTERTAINMENT

Lets Get Straight to the point. In a time where DJs can become famous overnight Goodwill has spent a decade at the top of the game and in demand. When Goodwill isn’t rocking the main room of Pacha Ibiza, Stagediving or flying across Europe on Pete Tongs jet you can find him smashing the main rooms of Australias biggest clubs.

Goodwill is the mainstay party rocking DJ of choice for Australias largest events in including Big Day Out and Future Music Festival and is the DJ of choice for luminaries such as Axwell, Roger Sanchez and Kaskade. In fact for the last 2 years The Swedish House Mafia have taken Goodwill to their world famous Pacha night in Ibiza to show the world just what all the fuss is about.

As a DJ Goodwill has sold over 1 Million Mix CDs. A feat only achieved by a select few in the world. Listen to any set by the likes of Swedish House Mafia, Carl Cox or Dirty South and you will find a slew of Goodwill Edits, Originals and Remixes. This support has seen Goodwill rise to international recognition in the last year achieving 10 plays on Pete Tongs infamous Radio 1 show, and remix requests from the likes of Miike Snow, Fedde Le Grand, Janelle Monae, The Presets, Rhythm Masters & MYNC to name just a few. Goodwill is also currently in the studio finishing productions for Axwells Axtone imprint and original tunes with Hook N Sling.

The accolades speak for themselves but we suggest you grab your disco tickets and go see for yourself. You wont be dissapointed.

Despite being voted ‘Australia’s #1 DJ’ two years in a row, he has also been voted in the Top 100 DJ’s of the World for the last three years. He currently resides as the #48 top DJ in the world. The humble Aussie has also been honored the International Dance Music Award’s ‘Best Break-Through DJ of the World’ award presented by Tiësto.

The young DJ spends most of his time touring the world and has been playing over 150 shows each year throughout all of Europe, the USA, Canada, Asia, Australia, and also has a residency in Las Vegas. TyDi regularly performs to tens of thousands each week and has played some of the highest profile festivals around the planet to extraordinarily large crowds as big as 45,000 people.

In between tour dates, during flights, and in hotel rooms is where tyDi finds the time to write some of the most cutting edge music with unrivalled attention to detail and musical composition. He has written and collaborated with some of the most remarkable producers in the world, such as Grammy nominated producer BT.

tyDi’s weekly, worldwide radio show, ‘Global Soundsystem’ reaches to over 30 countries on FM radio and can also be streamed as an iTunes podcast from anywhere in the world. Among all of his music videos released, combined viewers have reached well into the millions and growing. tyDi’s rise to global stardom has attracted interest from media well outside the world of electronic music, with full features in Young Hollywood, Rolling Stone Magazine, and music video rotation throughout Nordstrom department stores in the USA. His single, ‘Acting Crazy’ from his album ‘Shooting Stars’ has also gained recognition from Top 40 terrestrial radio stations in the U.S. and is in daily rotation at multiple stations.

Even with his busy tour schedule, writing sessions, and radio show, tyDi manages to maintain all of his social media outlets and personally engage with his fans from all over the world. Most of all, he is a musician at heart, forever aspiring to improve musically and produce only the highest quality of work.